Corrugate folder that held the prints
Vellum envelope and chapbook found inside of folder
When I first became familiar with Mark Schultz's artwork, I knew that I would some day have to do a project with him. In 1997 I got my chance. After five years of begging, pestering, and presenting concepts and mock-ups, Mark's publisher at the time, Denis Kitchen finally gave in. After discussions with Mark and Denis, it was decided to create a portfolio of prints of Mark's cover art. Now Denis, who is a true visionary, wanted to create the most lavish portfolio ever produced for the comics market. He basically told me to pull out all the stops. That really is a dream come true to any designer.
It took a lot of research and networking to pull together all of the different vendors to make this portfolio happen. I knew I wanted the basis of the design to be a wooden box, where the top would slide off to reveal the contents. I wanted to create a portfolio that was built in layers, each thing that you opened, would in turn, unveil a new thing to explore. I also wanted to create an aesthetic similar to Mark's approach to storytelling, where nature and machines work together in harmony. The graphics on the top of the box are a combination of schematic plans along with organic imagery. The folder and band wrap on the inside of the box is a natural e-flute corrugate with metal grommets and corners. The two envelopes inside the folders are a translucent vellum, with a one color image printed on the outside. Each of the ten 11" x 17" prints is embossed with the gear/trilobite logo. The portfolio was created in an edition of 99 and retailed for $299.00. I think they all disappeared pretty fast. Which, I believe, was a great relief to Mr. Kitchen.
It was quite a project. I was happy with the results, it was a good start to my collaborations with Mark. Denis was a fantastic publisher to work with, he greenlit the project and let me run with it. As an artist himself, he knows what it takes to get the best work out of creative people.